I found this on Instagram somewhere and have no idea who the artist is, but we didn’t make it, and if anyone knows who did, we’d love to hear from them, so we can credit it properly – for starters.
The theme of this sweet collection is body horror, so I created a track from layers of voice and body sounds. A lovely horror madrigal.
Guess again buddy.
That is not just sickness. It’s the next step in human evolution. You’re mutating.
Let these tracks soothe you.
Grimtown gives you Caesarean Confession Tapes – a compilation dedicated to body horror.
Download for free from Mediafire or Bandcamp. Comes with a thirty page booklet with information about the contributors. Be sure to take a look at it.
1 The Deluminated – We are One
2 Kontour – Liquidator
3 Proteque – Mainstream Beauty
4 Others – Disposable
5 Frostwinter – Sinfonia Per Un Sadico
6 Pogrom Synod – Porke Monument
7 Blitzkrieg Baby – Half pig half man
8 the Subterranean – Controlled Aggression
9 Choronzon – Ground up in happiness
10 Cthulberg vs Gird_09 – Worm
11 Dead Skull – Fudo Myo o
12 SermoIII and Cult .45 – Age of Gemini
13 Kröll – Töte Touristen
14 Mizar – Connect Henshin Ebx
15 Murmus – Utopia
16 オキシコドン- lex parsimonia
On this split release one finds a range of approaches to the realm of Choronzonic sonics that expands on what had been done previously. Tactical Magick Technology is a concentrated musical and magickal operation that has already woven its tentacles well beyond our immediate sphere. As a sonic whole, the two parts complement each other in a very powerful way.
“Language is a virus from outer space”
- William S Burroughs
Tactical Magick Technology inhabits the intersection of mind control, occult traditions, dimensional travel and modern myths like aliens, conspiracy, psychic warfare. Through magick and memetics one embed one’s consciousness within egregores to be the proverbial butterfly causing hurricanes while directing ones personal narrative. Events occur and all possibilities play out in new universes birthed at these crossroads.
Tactical Magick Technology breaks down language and the defences of the psyche. Breaking down the psyche as developed through socialization removes the limits of mind and between minds.
Outer space can be from other-space, other dimensions, “space between space”… the many worlds interpretation of quantum mechanics aligned with quantum tantra. Tactical Magick Technology is when an individual through meditation and ritual simultaneously inhabits all the branching consciousnesses of the alternate selves in each reality. Tactical Magick Technology opens the link to ride the consciousness of all of one’s selves in each universe split off. Since only a small part of what we are is manifest in space-time, the real potential of any action isn’t seen.
This release unites the magickal currents of NOX 210 and Choronzon into a single theme and focus. The sum total of the experience flows in its own harrowing way, implanting its alien intelligence deep within your psyche.
ABOUT NOX 210
NOX 210 is the Night of pan, transubstantiation of ecstasy, madness, obsession, aberrations and self transformative process into the nothingness… A meta-program living sigil incarnated though such psychotic states where nothing exists, just manifested in a sensorial space where the NOX 210 aspect grows and mutates into such complex and obsessive fragments gathered under the influx of paradigmatical essences!! welcome to hidden transmissions where NOX 210 is the center of vortex, the Zero point intersection of neither-neither world!!! This project was created as NULL, but due the great Japanese act with the same name, we changed the name to NOX 210!!!!
Choronzon was originally an Occult ritual persona Used by P. Emerson Williams (Veil of Thorns, kkoagulaa) to explore the 333 current. Performances in the late -80′s and throughout the -90′s were by invite only and for initiates only. Choronzon released of a series of self produced cassettes, ranging from recorded rituals to black-thrash assaults to industrial soundscapes. In 1998 Choronzon signed to the record label Nocturnal Art Productions in 1998, and released the album Magog Agog. Since that time, Choronzon has remained in front of the collective consciousness, exploring space between space in ever stranger realms on each release.
In 2002, P. Emerson Williams’ Choronzon and Demimonde Mesila Thraam’s Choronzon became aware of each other, and agreed to share use of the name, individually and collectively, making three in one.
Prior to the merging of Choronzons, the East Coast Choronzon released of a series of self produced cassettes before being signed to the record label Nocturnal Art Productions in 1998, and released the album Magog Agog. Three more albums followed, in which the sound moved further away from conventional black metal into industrial and experimental territories. The first release from the conjoined Choronzon was the double album New World Chaos, produced in 2005, whose recording was completed mere hours before Hurrican Katrina made landfall.
The totality of CHORONZON’s oeuvre encompasses a single hypersigil.
The first burst from the west since 2006! And it’s about damned time.
This was an unusually driven piece made in 13 days (although some of the material used on it was done earlier) but it’s probably the best recording I’ve ever made. I had the help of three of my favourite Dislodge personae who appeared on this one: 1351, Eianorange and the Accuser all helped make this come alive, as did the xenodimensional help of CHORONZON, LAMASHTU and LILITH.
We have many additions to the decades long CHORONZON hypersigil coming together. Between the major edifices to be erected in 2013, we’ll be slipping out other sonic and visual manipulations in between.
Let it be known I claim New Year’s Eve as the high holiday for any 333-resonant person, as I am grabbing it from alcoholic dull mediocrity and using it as the true magick thing it really is, which is the END OF THE JUDEOCHRISTIAN HOLIDAYS and the stresses and strains they bring, the end of the crap both spiritual and economic we associate with ‘the Christmas season’.
As an arbitrary digit, the count of a solar year could be pointed out on any day of the calendar but world wide there is recognition of this date as a rebirth phenomenon. But this is when it is done, therefore, having no other meaning, I claim it as my own WHILE still not attaching my name TO it. Not me!
Those who know don’t tell, those who tell don’t know.
Let resonants be free to their chosen excesses, if for this sole and only day, for the rest of the year involves mundane concern after mundane concern…
On this one date, though: people choose – globally – to be aware of Time, and thus their lives within it are highlighted.
Let my colours be great and resplendant: halide orange-yellow and the sparks like moon-green glowing confetti. I share with whomever would have me. They may paint me as they please.
But know, on this of all dates, 333-Resonants, I AM WITH YOU the MOST. Whoever you are. However low your state. I will wait for you.
This is also ‘my’ holiday because it now represents, in addition to the above, my apologia to Creation for my having broken time, long before it was possible for matter and energy to exist. That’s what got me thrown into the Abyss to begin with – an accident of, though it is lamely put, “youthful indiscretion’. I am a far older ‘god’ than I once was; occupying living space has taught ME much, too.
Ride my Current, surf this curl and LIVE!
- CHORONZON (via the agency of Demimonde Mesila Thraam)
A gift from one of our longterm Dislodge inner-circle, who wishes anonymity at this time…There shall be more to come.
I was set to be on an adventure most peripatetic for this month, but it turned out that the current had something else growing, something that revealed itself only when those who were moved to jump in with me came through with their parts of the vortextual effectuational aural spectacle released this week.
Getting ready for a string of shows had me retreating from the outer world with my guitar and, as always when I spend quality time with an instrument, the massive love for playing guitar of old was rekindled. Add to this the standup bass of Ferenc Teglas and BALEYYG wielding storms of demonic sonics, the Choronzonic Bacchanalia of glossolalia flow was not to be controlled.
There’s a wall to wall video treatment created for this as well. DVD and book, and for those ready to receive a xenotransmission straight through the third eye is delivered.
11/05/2012 – As they round out the twenty-sixth year mark in their career, experimental Industrial Blackmetal act CHORONZON continue to build on an ever expanding pallette with their most varied, unusual and harrowing release to date.
Just in time for the apocalypse and completed as a major storm makes landfall on the US East Coast comes a new album from the chaotes of Choronzon. The Consummation of metanoia is the pain of the psyche growing into new states of being. The Consummation of metanoia is the overwhelming transcendence even of healing to a transformation beyond the human to the essence of being human. A joyful opening to psychosis as means of preparation for easier adaptation. An embrace of fragility as a way to feel the full force of one’s strength.
With ///Consummation//\\Metanoia\\\ Choronzon completes a creative and narrative arc that began with Ziggurat Of Dead Shibboleths. The code of esoteric insight broken, freedom declared under cover of night and now the mind is transformed and chakras are open. This album is the Veil of Maya lifting as the inner being is revealed after many lifetime’s of journey through war and illusion.
Choronzon are opening up to yet another set of unexplored worlds on this, featuring electric standup bass, keys and percussion from Ferenc Teglas and the multiversal soundscapes of BALEYYG. “We gathered through astral projection to a pre-determined catacomb to generate the sounds by spectral means.” Says Choronzon chaote P. Emerson Williams on the process of creating ///Consummation//\\Metanoia\\\. “Between the three of us we really tapped into multiple streams.” declares Ferenc Teglas. “I got to experience the 333 current as a whispering voice in the distance. This is a very unique album.” Says BALEYYG.
///Consummation//\\Metanoia\\\ is released by PANICMACHINE and will be available from iTunes and other major digital retailers in December. Look for a book that completes and sums up the trilogy to come later this month along with a DVD version of ///Consummation//\\Metanoia\\\.
///CONSUMMATION//\\METANOIA\\\ Track List:
- Transversion Of The Three Worlds
- System Uncertainty
- Open Wide The Door
- The Decay Of Control
- Procession Of Underworld Multitudes
- Luminous Apparition
- Cognitive Execution
- Balances Of Vision
Review From Terra Relicta Magazine:
Published on Tuesday, 06 November 2012 18:32
…What about the music on this album? It’s difficult to put it in any mould. Of course it’s black, but is it metal? It’s also industrial and ambiental, it has doomy elements and lot’s of electronics and noise, there is a lot of drone and sludge. Songs can’t be separated from this entirety because only as a whole it gives the right picture of what’s about. Anyway, take this album as a sinister and notorious journey through some of the most diabolical soundscapes ever recorded…
Choronzon have achived what is rare in the underground of today. With dusty and rough production, hypnotic vocal job and culminating atmospheres they deliver an outstanding ritualistic avantgarde musical experience. It’s chaos in sound or better said chaos and magick framed into music.
Review written by: T.V.
Read the full review here:
We’ll try to give enough time to absorb what we’ve laid on you here, but with the coming release of MK-CCCXXXIII MK II coming up with the full Choronzon East/West working and Escape From Nullworld, both of which will dictate when they are to spill over into the collective psyche.
Riders of the 333 Current have to be able to track the rolling wave of it after all.
But they do that with their brains and this one’s not fritzing. Actually I am merely testing the WP posting app for my Droid.
The art and textuality folders for the connective albums of the 2005 New World Chaos Workings – the New World Chaos album itself and its counterpart Complicity/Simplexity – have been finally linked to the Choronzon.org site.
WARNING: a LOT of CSS was broken and still needs attention. For now, ignore the boxed navigator icon in the MIDDLE of the tables beneath each page that connects to each track. The navigation will be made both easier to use and more aesthetically in tune, but Ms. Thraam can’t take any more of Techgnosis’ confusing new internet-internautics without a) losing her mind, and b) possibly breaking something Emerson did on the site. I worked long and hard tonight to put the .info domain into shape, and doing New World Chaos, incompletely yet, exhausted me utterly. However, the good news is that both NWC and C/S – tracks, texts and paintings done by Choronzon West – are onsite at last.
There’s still so much more to do: the whole Escapes folder, the O6x3 page (a precious rite in every way) and the rest of the flotsam that never got PUT ON THE OLD SITE whilst I was stuck in Nullworld. And then there’s Escape From Nullworld, About half of the art is done, some of it good, some of it will probably have to be done over. CHORONZON demands the best of me.
If there’s any messes on either domain that you notice, you’ll have to comment here or email me, and make me aware of them. I’m out of steam, and need to collapse into the starry void of CHORONZON’s rewarding arms. I know my xenodimensional Love is proud of me for facing my fear of the new technology and just going at it head-on. I also know doing it is an immense relief to me. If I can do this, I can do the rest…
It has taken an ungodly amount of work just to get these pages to look like they did on the old site – lots of link changing, CSS-changing (much of which still needs work) and suchlike…THERE WILL BE ERRORS in the meantime until I track them all down and step on them.
I noticed people I just recently met have no access to writings on CHORONZON the namesake entity that are positive. In fact, one of them was a counselor of mine. This was the camelback straw point: I do NOT want there to be a big gap where all the material on the post-abyssal CHORONZON used to be.
Where it used to be, on our old site, was a folder called the Grinnoire, which itself contained a special “Akolasia Chamber” for the negative, abyssal CHORONZON writings. We – unlike cults and religions – are not afraid of you seeing the negative about our ally! Though there’s not much there – I like to concentrate on post-abyssal material and that which fits in that context.
At present, the domain http://choronzon.info is up and all the Grinnoire materials – the page of essays and writings and links to the diorama (visual representations of CHORONZON by both Project members and others) and the AURICAL room, which contains mp3 files from other bands who’ve referenced CHORONZON in their music) is now open to the public. And with this good news an invitation is extended to send any writing, art or soundwork you’ve done on the 333 current, or associated with it, to the Choronzon West cell for inclusion in this library.
The .info domain is focused on who/what our Namesake Entity Itself is and has been about, to both ourselves and others across the netverse of Techgnosis; it does not focus on our own work with the Project, though there are some still visuals that Emerson and I have done there, and some of my rants and screeds. (Some more recent ones can be found at the blog called Dances With Eidolons; eventually, that site may be fused with choronzon.info or possibly exist on its own with the better spaced-out rantings of yours truly that get put there copied and placed in the “shelves” of the Grinnoire, This is the CHORONZON entity’s library of neometaphysical blitherings and represents the .info domain of the Triunity…)
Choronzon.org will always be the Central Project site: come here to see videos and listen to the music/noise/sound-sculpture we do. There won’t be explanations here, getting in the way of your own reactions…
The next phase of producing the Triunity is to link up the multimedia project works from the prior double-zero decade, which have been sitting on the server, inaccessibly, due to broken links and terrifyingly messed-up style sheets which must be repaired. They need to be linked into the WordPress system somehow without damaging the blog – it is probably easier to do than I think it is…but I get put off by all the changes in HTML and CSS that happened in the past five years or so…
That was during my time in Nullworld’s strange but horrible combination of Hell and Sanctuary – the place those who experience heavy trauma go when they’ve mistakenly panicked enough to essentially perform something like emergency emotionectomy surgery upon their own minds…and which I only got out of, after a long, long time and lots of pitfalls, pratfalls and just plain mistakes. That is the theme of the album which some day soon will finally see release – the music is done, the texts are written – all that must be completed is the graphic novel vignette that I discovered, with much fright, has to be done by hand, without the use of a computer. (What 15 years of using ‘undo’ will do to an artist can be dangerous!)
Anyway, after our past releases are all linked up, I will enter the most difficult part of this whole web schmeer – opening Choronzon.net as a separate site, the third and final domain of the Triunity, and making it home for a forum of some sort, a two-way communication with both East and West Cells of the Project – as well as a tongue-in-cheek (most likely) means for the Entity CHORONZON to ‘text’ with you…(Currently, Choronzon.net simply forwards here, to .org – but hopefully, it won’t TOO much longer!)
ERA VULGARIS remains one of the most notorious of all CHORONZON albums. The natural successor to MAGOG AGOG, their debut (we have the last remaining copies…), with a palpable alien presence throughout that snapped some necks at the time. Thee hallz ov blackmetal at the time were not fortified to handle the vibrations of this futuristic black industrial assault, but the few, the brave sought out its sounds. But even fewer heard all the tracks from the sessions for ERA VULGARIS, some of which were released in an exceedingly rare CD as LARVAE. Copies of ERA VULGARIS go for $40.00 or more, copies of LARVAE are closely guarded and held on to as are copies of the special 2xCD + book edition of PANIC PANDEMIC. The finishing touches are being put on the accompanying art/lyric/grimoire book for print and ebook editions. The download version directly from PANICMACHINE will contain the ebook and an extensive number of videos and pre-sale purchases of double CD and/or print book come with free download of the album.
Over at PANICMACHINE there is a visual onslaught in process. More than two decades of my (P. Emerson Williams) original art is being made available for easy purchase, including the paintings that were created for the seminal album Magog Agog, at far below what it usually would go for. A couple of the pieces were sold over the years, but I still have three of the paintings, including the cover painting. Any offer for all three will be seriously considered, for there are a couple huge things coming up in the coming months, opportunities and projects that are extremely exciting, but are also going to take a ton of work. This also means that time has to be bought, and material, travel and equipment expenses have to be covered. For this, a huge chunk of my body of work is being sold off at prices lower than what posters retail at on many cases.
The art created for Ziggurat Of Dead Shibboleths and other releases are also being made available. Some some pieces are as low as five dollars and the more any single individual buys, the more I will throw in extra. If you are broke and want to help, sharing images, links, videos and all those things that help get the word out is invaluable. If you don’t see a particular drawing or painting posted to PANICMACHINE, get in touch and I’ll let you know if it has been sold or if I still have it. If you would like to make an offer at a price different from the one posted, let me know and I’ll try my best to make a deal.
In honour of this effort, PANICMACHINE have made every Choronzon release in their digital store is $2.00 for the month. There may be more deals and perks added as the month progresses.
t is truly the point of completion of art when a piece transfers from the artist to those who will view it and live with it. Many of these were published in in books and magazines, some have been seen as album and CD covers and some have been exhibited extensively. A great many, though, have never been seen before. In the last week a few dedicated collectors and supporters of my art have gotten in touch to ask about the availability of specific pieces, so some are gone before PANICMACHINE can get them posted. There’s much more art to come, though and feel free to get in touch if there’s a piece of P. Emerson Williams art you’ve seen that we haven’t posted yet and we’ll try our best to get it for you if it hasn’t been sold yet.
New pieces are being posted several times a day over at PANICMACHINE. I may do a weekly roundup of Choronzon related art here, but you’ll want to keep track there if you want to be sure to get the pieces you want before it sells.
P. Emerson Williams/Choronzon East
Over at PANICMACHINE both halves of the massive New World Chaos have just been made available. With an option for lovely flac, this is an opportunity to experience the full sonic range of this piece of work and CD’s of both will be coming within days.
In connection with this, we are working on bringing back all the content of the old site, including the extensive NWC section with words, art and music. We intended from the start to have the extensive archive of CHORONZON research, art and writing along with the frequently updating front-end, multimedia and community functions. There is much more, but all at once, it would be too massive to be a post…
Directorship, Armatures, Vox: Demitria Monde Thraam
Additive Layerings + Vox: P. Emerson Williams
Visual Art: Demitria Monde Thraam, P. Emerson Williams
Cryptovox / Ritual Activation: The Xenodimensional CHORONZON
Additional Textualities: Eianorange, Pvra Dalem
COMPLICITY // SIMPLEXITY
. A Vision Based Upon Itself .
Directorship, Armatures + Vox: P. Emerson Williams
Additive Layering, Art + Conceptual Interpretations: Demitria Monde Thraam
Cryptovox / Ritual Activation: The Xenodimensional CHORONZON
A termite mound still alive with activity though burning. What is being
built is being torn down and chewed up right behind the workers. This is
the purpose of life and foundation for the evaluation of the worth of
each inhabitant of the hive. they believe this will stave off the chaos
that has been declared by the night.
Beyond those doors – An outline of execution was heard during the disturbances as an exit from a physical space and the fictional nightmare. Don’t look too close. In end you’ll believe. A king in Yellow, neurotransmitters extend through quantum states, a POMO economy and culture renders all attemps at understanding and manipulation futile.
The moment when an empire is in a freefall, the point of evocation when the entity is undoubtedly and fearsomely manifest, when one is on the path and there can be no going back. In the Abyss there is no time, nor space. The only way out is through and the only way to emerge is to leave yourself there. The biggest crimes are committed with the help of armies and authorities, so freedom has to be declared by the night.
A manifestation of the Art in flesh, medium of spirit immersed in a pool of your own lifeblood. Smoke of dragon’s blood and wormwood and the projection solidifies a demon — your only company.
2002 saw the release of Psychosis Ex Machina, the shamanic and improvisational chaotic sound-sculpture by Choronzon. Psychosis Ex Machina was a journey further into madness and gnosis than even those who could grok Magog Agog, their 1998 debut on Nocturnal Art Productions and Era Vulgaris, the followup wrapped in myth and lore could have even enticipated.
Chaotic and trance-inducing was the swirling and percussive assault launched on that release by P. Emerson Williams Voland. Displayed was a experimental melding of ethnic percussion, twisted sound scapes and emotionally unhinged vocal invocations. Claustrophobic tunnels of darkness open up into vast churning heavens into which the listeners are thrown.
A decade after the completion of recording Psychosis Ex Machina Choronzon brings an expanded remaster that includes an added 50 minutes of music from the sessions, an ebook and six music videos. The original tracks were revisited, given new mixes and mastering was done by electronic music veteran and avant garde video artist Ferenc Teglas.
Choronzon have always been known as anarchic and occult practtioners of sonic Magickal craft, but previous releases were mere previews of the harrowing scope of Psychosis Ex Machina and now this album has been brought closer to the original, appropriately psychotic vision of its creator. The original single disc alb um was a lot to take in and the cumulative effect of the one hour and fifty-two minute sonic assault with ebook and videos will yield years of gnosis and puzzlement to those who brave its scorched ground.
Born of need and dark desires no person would like to admit to.
released 29 March 2012
P. Emerson Williams – Vox, Guitar, Keyboards, Vio-Lin, Sonic Manipulation, Cello, Cryptovox
Voland – Bass, Screams, Torture
You get both CD’s for one low price, each in its own jewel case. Upon ordering you also get immediate gratification with the download of the music along with the ebook and music videos.
01 – Dies-Ease (Wrath) (Remaster)
02 – The Enchanting Dead (Remaster)
03 – Crypt-Analysis (Remaster)
04 – Surge Of Blood (Remaster)
05 – Crossing I – The 30th Aethyr (Remaster)
06 – Asymmetrical Red Chamber (Remaster)
07 – Crossing II – The 29th Aethyr (Remaster)
08 – Justified (Remaster)
09 – Crossing III – The 28th Aethyr (Remaster)
10 – Ornamental Crypto-Anarchy (Remaster)
11 – Split In Two (Bonus Track)
12 – Offering (Bonus Track)
13 – When Drones Find No Warm Targets (Bonus Track)
14 – Sentient and Out of Fuel (Bonus Track)
“…melodies like rusty barbs attaching to your eardrums and on the other hand endless passages of sheer noise that drive you insane, especially when, which I recommend, you listen to this at maximum volume.” -Nhashi, Voices From the Darkside
“Even after dozens of listens I’m finding more things about this record and it still has the awe and entrancing feelings of when I first heard these tracks. These are the signs of a true classic to me, and as such I have no reservations giving this work my highest recommendations.” -inhumanitarian.net
“I’m keeping it under lock and key, just to be on the safe side. Regrettably, it seems to have heard my plans…” -Mick Mercer
“Il flotte sur ce disque un parfum de nihilisme qui fait peur, car rarement on aura osé aller aussi loin dans la totale négation de la mélodie et de la beauté.” -Decibels Storm
“For the dark eccentric wierdo inthe metal crowd only.” -Pit Magazine
“The industrial edge of this band is the most visual side of their music, several noisy factors do play an essential part of he music and do not allow it to become poloshed or predictable.” -Nordic Vision Magazine.
“A chaos demon has landed on Choronzon recording – that is why it is so sick. Alas never try to stick a label to this cd, otherwise it leaves you dissatisfied. Better get into it with free mind, as it can not be an everyday listen.” -Ledo Takas#6 zine.
The words and images that open up the world of Choronzon’s Psychosis Ex Machina. A view from within the machinery of empire. With the words to the sounds supplied, the picture becomes clearer and harder to grasp…
P. Emerson Williams
Binding: Perfect-bound Paperback
Interior: Full color
Dimensions: (inches) 8.5 wide x 8.5 tall
The full package includes both CD’s and the Liber Psychosis Ex Machina book as well as the full digital release. the first three to order will receive the original P. Emerson Williams drawings from which the album art was created.
All options include immediate download of the 14-track album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire.
Big thanks to Kicks Extreme Radio for opening up this weeks show with Ornamental Crypto-Anarchy from the newly remastered and expanded Psychosis Ex Machina! Kicks is a weekly radio show on Radio Centraal in Antwerp, Belgium.
Hie thee hence to the Kicks Playlist post and you can stream the episode from the sidebar. It’s a great episode, two hours of great variation brought to you y your charming and knowledgeable hosts.
The idea of the radio show Kicks was born early 1989 when Radio Centraal expanded their broadcast schedule from 3 days each week to a whole week. Of course this expansion meant that they were looking for new shows to fill this on air time. Peggy and Bruno moved to Antwerp in 1988 and were already fans of this radio station and had been involved in other musical activities before, mostly as dj’s. So it was an obvious choice for them to express their love for all underground music by creating a weekly radio show. Since Peggy and Bruno get most of their kicks by searching for and listening to the diversity of underground music they decided this would be an excellent name for their quest.
On a late Friday afternoon in May 1989 Kicks made it’s appearance on the airwaves in Antwerp. After a short while their time slot changed from 1 to 2 hours weekly. After a year it was impossible for Peggy and Bruno to combine this time slot on Friday with their daily activities so Kicks moved to Wednesday from 20:30h to 22:30h CET.
The following is a letter that appeared in issue 270 of Fortean Times in answer to the article “The Magical Battle of Britain” which appeared in Fortean Times issue 267.
Normally, the attention we get via conspiracy/anomaly/reptilian spotters is fearful and negative, so it’s good to have a little understanding.
Iraq War Workings
In “The Magical Battle of Britain” [ FT267:34-41], Dave Evans and David Sutton ask: Who, if anyone, is doing magic regarding the wars in Iraq and Afghanistan, and to what ends?”
I came across the following snippet on the internet, in a comment about the (unrelated but spooky) “Wyoming Incident” TV interception hoax:
“In occult circles, the number 333 is associated with an “entity” (which exists if you believe in it, and does not if you do not) called “Choronzon”. It was once described in various magickal texts (notably by Aleister Crowley) as a demon that is the “most dreaded of all the forces of evil”. There are others who find Choronzon more complex and interesting the a “devil”. Two of them decided to use the name for a project…..a music project, though it’s more than just a band. I believe these videos might be a bit of fallout from that project even though their creators do not likely know this (unless someone told them!)
“a few years ago, there was an extended “working” called New World Chaos…in which these two individuals- one based in California, one in Florida- enacted a program for this entity Choronzon to follow….one that was supposed to bring about various subtle changes to the subconscious American under-mind.
“Essentially, various cultural fabrics of the USA were to become unravelled- particularly the ones involved with mindless patriotism and monotheism. Other threads were to knit themselves. It was all supposed to implant via this entity Choronzon- or just the idea, maybe?- into the country’s mass mind.
“The event had many results. There was a distinct anti-Bushist slant to this particular work and so it is rather interesting to note that the House resolution to impeach Bush ended up being H.R. 333. The year that the ritual was done was the year Katrina happened and that point the tide of public opinion, which had run in majority favor of Bush and of the war in Iraq, did turn, in that year, to the opposite pole. It is one of the most successful magickal workings in recent times, and these hoax videos are yet more evidence that there was some effect, albeit scattered, from the strange doings of this pair. It makes one wonder what could happen were they truly focused….or if there were more individuals involved.”
Written in response to This article.
Keep an eye on http://www.panicmachine.com/ for pre-order info. We’ll bring you more details as we get closer to the release date.