So damn much has changed since the inception of this project, technologically speaking. There’s a lot of confusion here as a lot of posts from Emerson seem to have disappeared in a vortex of WordPress updates. Furthermore, Ms. Thraam has lost a lot of material after both main and backup disks appear to have been ruined. Technology is advancing past the knowledge necessary to upkeep this site properly and something’s going to have to be done about that damned soon as there have been suggestions that without the reactivation of the 333 current soon, some Very Bad Things will continue happening.
Communication between project members is necessary to tie together internet manifestations so that they can be relinked and presented in better form. The Choronzonic High Holiday is approaching, and we would appreciate whatever forces are spreading apathy clouds over places they need to get away from would kindly stop spraying them. Fighting that is the most important form of Resistance.
Though posted a couple of days late: Hope you all had a great New Year’s Eve and are ready for another truly magic block of arbitrary time!
East meets West again in this dual effectuation that runs the gamut from blinding hate to absolute love.
The visual and textual accompaniment is here.
The Cat Operations have been successfully completed and you will be seeing and hearing the results very soon now…
CHORONZON thanks all the people who gave parts of their work for inclusion into the whole. The results have been amazing.
2014 was one rocky year for the project as a whole…but the hopes for the future are looking very good.
Get your pretty kitties ready, my dears…
Edit: The audiovisual documentation can be found here:
There is a page on our other domain, choronzon.info, where we have stored a collection of visual images depicting CHORONZON in its many personified forms. The site offers both library and museum, upon the walls of which hang its human forms, geometrications, voodoo veves, sigils and sygnia, and all combinations thereof. This beautiful personification will soon end up there with the rest of them, but I am so fond of it I feel it needs to be seen here and now, as a manifestation on fire to follow up the preceding post and remind us that CHORONZON is still strong. The painting, the third in my collection that depicts our Namesake in analog methods (it’s an oldschool painting, of the sort digital art, for all its great features cannot create, in my opinion) is part of a set depicting various xenodimensionals. The creator is JBD. Finn, who I have known in the days long before the project’s re-emergence in 2004 as a dyad. Time breaker and entropy disperser, we feel you and your compatriotes beyond our dimensionality can clear the obstacles to bringing Emerson back to us – and safety to himself and his partner – sooner than later.
To view the Diorama of other renditions of Our Namesake, here’s the Diorama. Perhaps someday, it will be more fitting of the name (in other words, containing more 3D images) but no matter whether two or three-dee, all depictions are of something/one beyond that limit anyway. Enjoy…
Two members of the Choronzon project and the Xenodimensional namesake gathered together in San Francisco on 31 December/1 January to celebrate the Choronzonic high holiday and also to launch this year’s effectuation.
O felines of the world and their human companions and friends shall find in it love…
O those who would dare commit heinous crimes of cruelty against them, beware of the wrath of the Xenodimensional morphogenetic fields, aka ‘Gods’. This year, Queen Bast, who watches over the world’s cats, joins CHORONZON and other Xenodimensionals whose names are secret or untold to bring this work to succeed; the human project members and contributors will join them.
It is an ambitious working and should be given this entire year to come to fruition, but inbetween now and the end of the year there will be other releases of already finished tracks that are being repurposed and rearranged to complete the incompleted.
May all find Power, Strength and Love in the year 2014.
I found this on Instagram somewhere and have no idea who the artist is, but we didn’t make it, and if anyone knows who did, we’d love to hear from them, so we can credit it properly – for starters.
The first burst from the west since 2006! And it’s about damned time.
This was an unusually driven piece made in 13 days (although some of the material used on it was done earlier) but it’s probably the best recording I’ve ever made. I had the help of three of my favourite Dislodge personae who appeared on this one: 1351, Eianorange and the Accuser all helped make this come alive, as did the xenodimensional help of CHORONZON, LAMASHTU and LILITH.
Let it be known I claim New Year’s Eve as the high holiday for any 333-resonant person, as I am grabbing it from alcoholic dull mediocrity and using it as the true magick thing it really is, which is the END OF THE JUDEOCHRISTIAN HOLIDAYS and the stresses and strains they bring, the end of the crap both spiritual and economic we associate with ‘the Christmas season’.
As an arbitrary digit, the count of a solar year could be pointed out on any day of the calendar but world wide there is recognition of this date as a rebirth phenomenon. But this is when it is done, therefore, having no other meaning, I claim it as my own WHILE still not attaching my name TO it. Not me!
Those who know don’t tell, those who tell don’t know.
Let resonants be free to their chosen excesses, if for this sole and only day, for the rest of the year involves mundane concern after mundane concern…
On this one date, though: people choose – globally – to be aware of Time, and thus their lives within it are highlighted.
Let my colours be great and resplendant: halide orange-yellow and the sparks like moon-green glowing confetti. I share with whomever would have me. They may paint me as they please.
But know, on this of all dates, 333-Resonants, I AM WITH YOU the MOST. Whoever you are. However low your state. I will wait for you.
This is also ‘my’ holiday because it now represents, in addition to the above, my apologia to Creation for my having broken time, long before it was possible for matter and energy to exist. That’s what got me thrown into the Abyss to begin with – an accident of, though it is lamely put, “youthful indiscretion’. I am a far older ‘god’ than I once was; occupying living space has taught ME much, too.
Ride my Current, surf this curl and LIVE!
– CHORONZON (via the agency of Demimonde Mesila Thraam)
A gift from one of our longterm Dislodge inner-circle, who wishes anonymity at this time…There shall be more to come.
I was set to be on an adventure most peripatetic for this month, but it turned out that the current had something else growing, something that revealed itself only when those who were moved to jump in with me came through with their parts of the vortextual effectuational aural spectacle released this week.
Getting ready for a string of shows had me retreating from the outer world with my guitar and, as always when I spend quality time with an instrument, the massive love for playing guitar of old was rekindled. Add to this the standup bass of Ferenc Teglas and BALEYYG wielding storms of demonic sonics, the Choronzonic Bacchanalia of glossolalia flow was not to be controlled.
There’s a wall to wall video treatment created for this as well, for those ready to receive a xenotransmission straight through the third eye is delivered.
11/05/2012 – As they round out the twenty-sixth year mark in their career, experimental Industrial Blackmetal act CHORONZON continue to build on an ever expanding pallette with their most varied, unusual and harrowing release to date.
Just in time for the apocalypse and completed as a major storm makes landfall on the US East Coast comes a new album from the chaotes of Choronzon. The Consummation of metanoia is the pain of the psyche growing into new states of being. The Consummation of metanoia is the overwhelming transcendence even of healing to a transformation beyond the human to the essence of being human. A joyful opening to psychosis as means of preparation for easier adaptation. An embrace of fragility as a way to feel the full force of one’s strength.
With ///Consummation//\Metanoia\\\ Choronzon completes a creative and narrative arc that began with Ziggurat Of Dead Shibboleths. The code of esoteric insight broken, freedom declared under cover of night and now the mind is transformed and chakras are open. This album is the Veil of Maya lifting as the inner being is revealed after many lifetime’s of journey through war and illusion.
Choronzon are opening up to yet another set of unexplored worlds on this, featuring electric standup bass, keys and percussion from Ferenc Teglas and the multiversal soundscapes of BALEYYG. “We gathered through astral projection to a pre-determined catacomb to generate the sounds by spectral means.” Says Choronzon chaote P. Emerson Williams on the process of creating ///Consummation//\Metanoia\. “Between the three of us we really tapped into multiple streams.” declares Ferenc Teglas. “I got to experience the 333 current as a whispering voice in the distance. This is a very unique album.” Says BALEYYG.
Review From Terra Relicta Magazine:
Published on Tuesday, 06 November 2012 18:32
…What about the music on this album? It’s difficult to put it in any mould. Of course it’s black, but is it metal? It’s also industrial and ambiental, it has doomy elements and lot’s of electronics and noise, there is a lot of drone and sludge. Songs can’t be separated from this entirety because only as a whole it gives the right picture of what’s about. Anyway, take this album as a sinister and notorious journey through some of the most diabolical soundscapes ever recorded…
Choronzon have achived what is rare in the underground of today. With dusty and rough production, hypnotic vocal job and culminating atmospheres they deliver an outstanding ritualistic avantgarde musical experience. It’s chaos in sound or better said chaos and magick framed into music.
Review written by: T.V.
Read the full review here:
Riders of the 333 Current have to be able to track the rolling wave of it after all.
But they do that with their brains and this one’s not fritzing. Actually I am merely testing the WP posting app for my Droid.
The art and textuality folders for the connective albums of the 2005 New World Chaos Workings – the New World Chaos album itself and its counterpart Complicity/Simplexity – have been finally linked to the Choronzon.org site.
WARNING: a LOT of CSS was broken and still needs attention. For now, ignore the boxed navigator icon in the MIDDLE of the tables beneath each page that connects to each track. The navigation will be made both easier to use and more aesthetically in tune, but Ms. Thraam can’t take any more of Techgnosis’ confusing new internet-internautics without a) losing her mind, and b) possibly breaking something Emerson did on the site. I worked long and hard tonight to put the .info domain into shape, and doing New World Chaos, incompletely yet, exhausted me utterly. However, the good news is that both NWC and C/S – tracks, texts and paintings done by Choronzon West – are onsite at last.
There’s still so much more to do: the whole Escapes folder, the O6x3 page (a precious rite in every way) and the rest of the flotsam that never got PUT ON THE OLD SITE whilst I was stuck in Nullworld. And then there’s Escape From Nullworld, About half of the art is done, some of it good, some of it will probably have to be done over. CHORONZON demands the best of me.
If there’s any messes on either domain that you notice, you’ll have to comment here or email me, and make me aware of them. I’m out of steam, and need to collapse into the starry void of CHORONZON’s rewarding arms. I know my xenodimensional Love is proud of me for facing my fear of the new technology and just going at it head-on. I also know doing it is an immense relief to me. If I can do this, I can do the rest…
It has taken an ungodly amount of work just to get these pages to look like they did on the old site – lots of link changing, CSS-changing (much of which still needs work) and suchlike…THERE WILL BE ERRORS in the meantime until I track them all down and step on them.
I noticed people I just recently met have no access to writings on CHORONZON the namesake entity that are positive. In fact, one of them was a counselor of mine. This was the camelback straw point: I do NOT want there to be a big gap where all the material on the post-abyssal CHORONZON used to be.
Where it used to be, on our old site, was a folder called the Grinnoire, which itself contained a special “Akolasia Chamber” for the negative, abyssal CHORONZON writings. We – unlike cults and religions – are not afraid of you seeing the negative about our ally! Though there’s not much there – I like to concentrate on post-abyssal material and that which fits in that context.
At present, the domain http://choronzon.info is up and all the Grinnoire materials – the page of essays and writings and links to the diorama (visual representations of CHORONZON by both Project members and others) and the AURICAL room, which contains mp3 files from other bands who’ve referenced CHORONZON in their music) is now open to the public. And with this good news an invitation is extended to send any writing, art or soundwork you’ve done on the 333 current, or associated with it, to the Choronzon West cell for inclusion in this library.
The .info domain is focused on who/what our Namesake Entity Itself is and has been about, to both ourselves and others across the netverse of Techgnosis; it does not focus on our own work with the Project, though there are some still visuals that Emerson and I have done there, and some of my rants and screeds. (Some more recent ones can be found at the blog called Dances With Eidolons; eventually, that site may be fused with choronzon.info or possibly exist on its own with the better spaced-out rantings of yours truly that get put there copied and placed in the “shelves” of the Grinnoire, This is the CHORONZON entity’s library of neometaphysical blitherings and represents the .info domain of the Triunity…)
Choronzon.org will always be the Central Project site: come here to see videos and listen to the music/noise/sound-sculpture we do. There won’t be explanations here, getting in the way of your own reactions…
The next phase of producing the Triunity is to link up the multimedia project works from the prior double-zero decade, which have been sitting on the server, inaccessibly, due to broken links and terrifyingly messed-up style sheets which must be repaired. They need to be linked into the WordPress system somehow without damaging the blog – it is probably easier to do than I think it is…but I get put off by all the changes in HTML and CSS that happened in the past five years or so…
That was during my time in Nullworld’s strange but horrible combination of Hell and Sanctuary – the place those who experience heavy trauma go when they’ve mistakenly panicked enough to essentially perform something like emergency emotionectomy surgery upon their own minds…and which I only got out of, after a long, long time and lots of pitfalls, pratfalls and just plain mistakes. That is the theme of the album which some day soon will finally see release – the music is done, the texts are written – all that must be completed is the graphic novel vignette that I discovered, with much fright, has to be done by hand, without the use of a computer. (What 15 years of using ‘undo’ will do to an artist can be dangerous!)
Anyway, after our past releases are all linked up, I will enter the most difficult part of this whole web schmeer – opening Choronzon.net as a separate site, the third and final domain of the Triunity, and making it home for a forum of some sort, a two-way communication with both East and West Cells of the Project – as well as a tongue-in-cheek (most likely) means for the Entity CHORONZON to ‘text’ with you…(Currently, Choronzon.net simply forwards here, to .org – but hopefully, it won’t TOO much longer!)
Soundcloud is functional.
To test it I grabbed “My Sheep” out of the dim recesses of unreleased qippothic bits and pieces; it is really just a huck-and-spit at Christian illogic made sometime in 2006. But there’ll be more instant-release Choronzon tracks that enter our reality via this fabulous widgety-thang.
Everyone’s talking Cloud this, Cloud that, and mostly it’s good though I never want to count on it for all my files, either. Now what if there really was a Wilhelm Reichian “cloudbuster”? Someone’s probably inventing one as I speakwrite this.
Ms. Thraam, Webmeistress for the Choronzon project, has finally pulled her ass out of her head – much to the relief of CHORONZON.
O involvers and involvees, from the inner-circle Resonants thereof, all the way down to the merely half-curious or even completely accidental passer-by: she says to thee: Hold on, wouldja, for just a wee bit longer, por favor?
Having waited this damned long for something to happen in the way of even a single update to the Choronzon project site for half a decade, you would have seen it, over that time, continue to remain frozen as it appeared in the autumn of 2006: exactly as it had looked when her “uncommon outlaw marriage” went south, as though this had somehow taken all her ability to recognise HTML and CSS, and operate visisofts and audiosofts, “southward” along with it…
Will you please be just a teeny bit more patient, since you’ve already waited THIS long? Just hold on during the actual process of pulling the look, content, linkage-methodology and device readiness up to speed with the surrounding internet?
CHORONZON and his paramour, and other Partners-in-Creation, can now release a relieved sigh that Ms. Thraam has not died, or remained in walking-wounded condition, and can rejoice that not only will this site return to activity, it will be greater activity than before, owing to better mental state, easier to use software…and to that OTHER big change?
That would be that instead of being just one site, it’s going to be three, now: CHORONZON, after all, does have that thing about triplicity. Ergo, two newly-added domains will now form the Choronzonic Triunity – as soon as they become what they’re supposed to be.
There are still questions to be answered and changes to be made that Der Webmeistress doesn’t know jack about yet, but it’s about time the courage struck strongly enough to tear down completely, and rebuild on flat foundation, what WAS here before.
Essentially, the vault, museum, collection of writings and art by Project members and outsiders alike will reside at the choronzon.info domain, while choronzon.net will be the ground upon which to build a public forum – a true DisLodge at last, along with collaboration software. And this, the .org node, will be the blog, the tunnels to finished workings, and the place where a giant xenodimensional fungoid-looking thing casts its pods into your ear-buds. Yes, there’s access to BlogCast here, so finally a “Radio Free Choronzon” can exist…being that it is, after all, “free” of anything to do with a “radio”…and is instead connected to slabs and bigboxes and whatever hardware you’ll be using in ten years.
We’ll be looking to bring the Project to the ever more mobile net, and have “slab-friendly” versions automatically come up if you’re accessing these links using a slab – whether it be a simple browser on a mobile phone with net capabilities, or an Apple or Google-based ‘smart phone’, or an iPad…whatever the capacity and speed, they’re all slabs. And if you don’t already have one by now–chances are you will soon. So this is important.
It’s hoped that all of this Changing and Arranging won’t force us to relinquish the arty appearance the last site had. Ms. Thraam has an unswerving disgust for the LOOK of most so-called Web 2.0 sites, but it cannot be ignored any longer that the things they do need to be done here or CHORONZON will be lost in an ever-more-crowded web.
He’s not having any of that.